《自白规则》剧情介绍

In1963,eighteen-year-oldPatriciaWeiriskidnappedandbrutallyraped.Committedtoputtingherattacker,ErnestoMiranda,inprison,Patty'slifeisdestroyedbyAmerica'slegalsystemasshetriggersalawthattransformstheNation.

《自白规则》是由米歇尔·丹纳执导,GeorgeKolber编剧,凯尔·麦克拉克伦,阿比盖尔·布雷斯林等明星主演的剧情,电影。《自白规则》别名:米兰达的受害者,于2023-02-08上映,制片国家/地区为美国。时长共127分钟,语言对白英语,该电影评分7.5分,评分人数308人。

《自白规则》演员表

  • 塞巴斯蒂安·奎因

    职业: 演员

     

  • 凯尔·麦克拉克伦

    职业: 演员

     

  • 卢克·威尔逊

    职业: 导演,演员,编剧

     

  • 唐纳德·萨瑟兰

    职业: 演员

     

  • 瑞恩·菲利普

    职业: 导演,演员

     

  • 艾米丽·万凯普

    职业: 演员

     

  • 恩里克·穆西安诺

    职业: 演员、制作人

     

  • 诺兰·古德

    职业: 演员

     

  • 塔恩·曼宁

    职业: 演员、制作人

     

  • 卢克·威尔逊

    职业: 演员

     

  • 安迪·加西亚

    职业: 演员,导演,编剧,制片人

     

  • 米瑞·伊诺丝

    职业: 演员

     

  • 乔舒华·鲍曼

    职业: 演员

     

  • 阿比盖尔·布雷斯林

    职业: 演员,配音

     

  • 布伦特·塞克斯顿

    职业: 演员

     

  • 小詹姆斯·希利

    职业: 演员

     

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《自白规则》影评

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阳光小美女长大了

The 2023 film "Miranda's Victim" directed by Michelle Danner, takes a deep dive into one of the most complex and debated Supreme Court cases in American history, focusing on the ethically dubious origins of the Miranda rights. This ambitious true-life period drama chronicles the 1963 case that became a complex legal nightmare for both the accused and his victim. The film offers a heartfelt salute to a resilient woman who deserved better and provides a valuable history lesson in criminal justice. However, it struggles to distinguish itself or drum up much outrage due to its straightforward approach in terms of style and structure. In this review, we will explore the various aspects of "Miranda's Victim" and assess its impact on contemporary audiences.

The story revolves around the rape of Arizona teenager Trish (played by Abigail Breslin), whose case leads to the arrest of a suspect, Ernesto Miranda (Sebastian Quinn). After coercing a confession, Miranda is convicted in a subsequent trial and jailed, despite protests over police process violations by his lawyer (Andy Garcia). A brash new ACLU defense attorney (Ryan Phillippe), seeking more publicity than justice, gets involved in the case and argues all the way to the Supreme Court on Miranda's behalf. This results in a highly publicized verdict that triggers a downward spiral for Trish and her family, including her conservative mother (Mirielle Enos), who fears negative publicity. The film also touches on the gender inequities of the period, as Trish is victimized not only by the physical and psychological trauma but also by a prevailing attitude at the time that places undue burdens of proof on women both in the courtroom and in the public eye.

Abigail Breslin delivers a powerful performance as Trish, capturing the emotional turmoil and resilience of a young woman caught in the crosshairs of a flawed legal system. Sebastian Quinn's portrayal of Ernesto Miranda is equally compelling, as he navigates the complexities of a character who is both a suspect and a symbol of a larger legal debate. Andy Garcia brings gravitas to his role as Miranda's lawyer, while Ryan Phillippe's defense attorney character adds a layer of intrigue and moral ambiguity to the story. The supporting cast, including Mirielle Enos, adds depth to the narrative, showcasing the societal pressures and biases that influenced the case.

The period recreation in "Miranda's Victim" is commendable, with the cinematography effectively capturing the essence of the 1960s. The use of color, lighting, and set design transports the audience back in time, immersing them in the historical context of the story. However, the film's visual style, while adequate, does not particularly stand out or add significant artistic value to the narrative. The straightforward approach to the visuals may be seen as a deliberate choice to focus on the content rather than the form, but it does leave the film feeling somewhat dry and didactic at times.

The screenplay of "Miranda's Victim" provides moderate insight into the gender inequities of the period, and while it steers away from its character-driven strengths at times, it offers a thoughtful examination of the case and its implications. The dialogue can be clunky, particularly when dealing with the legal intricacies of the Miranda rights and the due process of criminal suspects. Despite this, the final act of the film features some compelling litigatory fireworks as it takes a more even-handed perspective, questioning whether the ends justify the means without arguing against the validity of the Miranda rights.

"Miranda's Victim" is not just a historical drama but also a social commentary on the justice system and the treatment of victims, especially in the context of sexual assault. The film highlights the challenges faced by women in the courtroom and the public eye, emphasizing the need for change and a more empathetic approach to such sensitive cases. By viewing the story through a progressive contemporary lens in the #MeToo era, "Miranda's Victim" gives the title character a worthwhile spotlight after all these years, even if it's not as persuasive as it deserves to be.

In conclusion, "Miranda's Victim" is a film that tackles a significant historical and legal issue with a commendable degree of earnestness and respect for the real-life events it portrays. While the film may not break new ground in terms of cinematic style or narrative structure, it serves as an important reminder of the complexities of justice and the human cost of legal battles. The performances are strong, particularly from Breslin and Quinn, and the film's exploration of gender inequities and the treatment of victims adds a layer of depth that will resonate with contemporary audiences. Despite its shortcomings, "Miranda's Victim" is a worthwhile watch for those interested in legal dramas and historical accounts that shed light on the evolution of civil rights and the justice system in America.

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